The Amishs

Ersan Mondtag and composer and musician Max Andrzejewski report on the world of Amish though a concert performance. A group that doesn’t adapt itself, which lives in a radical fashion according to its own laws, is also a group that remains a prisoner to itself and its conceptions. What comes after a de-integration into pre-modernity? Can there be an opening into the present? Mondtag and Andrzejewski show rituals between fiction and truth from the inner circle, creating an oscillation between enthusiasm and shock in the audience.