Porträt Marina Frenk (c) Esra Rotthoff

Marina Frenk

Marina Frenk was born in Chisinau, Moldova, in 1986. From 2005 to 2008 she studied drama at the Folkwang Academy in Essen. First guest engagements led her to the Grillo Theatre; she subsequently held ... Read more

Marina Frenk was born in Chisinau, Moldova, in 1986. From 2005 to 2008 she studied drama at the Folkwang Academy in Essen. First guest engagements led her to the Grillo Theatre; she subsequently held engagements in the company of the Bochum Theatre, the Centraltheater Leipzig and the Cologne Theatre. She played the character Nora in an Ibsen production by Elmar Goerden and appeared in plays including Phädra, Wir Kinder von Theben and Der Idiot. She made her cinema debut in the production Totem by Jessica Krummacher, premiered in 2011 at the Venice Film Festival. Moreover, Maria Frenk is a singer in the Ostperanto band Kapelsky & Marina and also makes music with the electro-dance band Baba Dunyah, as well as Yuriy Gurzhy and Daniel Kahn in The Disorientalists. She appeared in Exit:Lulu (director: Mizgin Bilmen, Schauspiel Frankfurt) and presented her own work, Celans Tiefen, with her recordings of Paul Celan’s poems in Studio Я at the Gorki Theatre. For the RADIKALEN JÜDISCHE KULTURTAGE in Studio Я she created the production VALESKA GERT - THE ANIMAL SHOW in November 2017, which was invited to 2018’s »Radikal jung« festival for young directors. On the 30. January 2020, the Klaus Wagenbach Verlag published her first novel ewig her und gar nicht wahr. At the Gorki she can be seen in EIN BERICHT FÜR EINE AKADEMIE, directed by Oliver Frljić, and in her performance EINE NIERE HAT NICHTS MIT POLITIK ZU TUN.


Photo: Esra Rotthoff

Musa Dagh

Sat
18:00
Bühne

DEU mit ENG ÜT

Theater


DEU mit ENG ÜT

Theater

Fri
19:30
Bühne

DEU mit ENG ÜT

Theater


DEU mit ENG ÜT

Theater

Ein Bericht für eine Akademie

Thu
19:30
Bühne

with English surtitles

with English surtitles


Productions

In unserem Namen

Je suis Jeanne d'Arc

Kein schöner Land

Musa Dagh — Tage des Widerstands

Onkel Wanja

Schwimmen lernen

Kinder der Sonne

Schwarze Jungfrauen

FUCK YOU, Eu.ro.pa!

Nationalitätsloser Denkspass: Celans Tiefen

Musik

Ödipus und Antigone

Ein Bericht für eine Akademie

GROUND CONTROL

Mutter Courage und ihre Kinder

Schlachten

EINE NIERE HAT NICHTS MIT POLITIK ZU TUN

Wie man nach einem Massaker humanistisch bleibt in 17 Schritten

Musa Dagh